39
18 Apr 14 at 1 pm

mikemilldesign:

Vision of the Future from Broad City. Ilana Wexler is the voice of a generation.

(via strange-botwin)

mikemilldesign:

Vision of the Future from Broad City. Ilana Wexler is the voice of a generation.
 59901
18 Apr 14 at 1 pm

mtv:

v deep

(Source: mgmteaspoon, via wonderfrankie)

"The sun sees your body. The moon sees your soul."

 3922
17 Apr 14 at 11 pm

arpeggia:

Gustav Klimt - Death and Life, 1916

(via soyymilk)

arpeggia:

Gustav Klimt - Death and Life, 1916
 62440
17 Apr 14 at 11 pm

Brad Pitt in 1994

(Source: rustyryan11, via caroleenaaa)

 15153
17 Apr 14 at 11 pm

Amy Winehouse in her early teens, taken from Amy My Daughter by Mitch Winehouse, published by HarperCollins ‘A thoughtful Amy, still in pink and with her heart symbol of course, at her school summer fete’

(via coffeekaling)


Amy Winehouse in her early teens, taken from Amy My Daughter by Mitch Winehouse, published by HarperCollins ‘A thoughtful Amy, still in pink and with her heart symbol of course, at her school summer fete’

queerpunkhamlet:

overlypolitebisexual:

as a parent it is your god damn fucking job to look after your children stop treating your children like they are burdens

you signed up to have a child, the child did not sign up to have you as a parent

keep this in mind. do not expect your children to immediately give you back all the things you give them. they are children. love them. cherish them. treat them well.

(via microstank)

 19717
17 Apr 14 at 11 pm

movsi:

Blue Is the Warmest Colour (2013)

(via m3rmaid149)

 1717
17 Apr 14 at 11 pm

730212:

aminaabramovic:

jackanthfern:

The Audrey Hepburn of our Generation

yaaaas @ this funny face homage

Ahhh YEET!

(Source: kimkardashianfashionstyle, via thagreatgatsby)

730212:

aminaabramovic:

jackanthfern:

The Audrey Hepburn of our Generation

yaaaas @ this funny face homage

Ahhh YEET!
 2116
17 Apr 14 at 5 pm

While the context and narrative itself sets up obstacles, the film often uses visuals to help express Clarice’s status in the order of things. A recurring visual motif is Clarice surrounded by taller men, dwarfed and brought down by their stature. Yes, Jodie Foster is a short woman, just a few inches over five feet, but the film often exaggerates that discrepancy to express her challenge in overcoming a patriarchal society that literally looks down on her. […]

The film camera also never objectifies Clarice. Throughout the film she is presented as an object of the male gaze by the characters in the narrative, but the camera does not assume this perspective of the male look until the end of the film. It’s at this point then that Clarice punishes and banishes the male gaze for objectifying her. [x]

(Source: kissthefuture, via invisiblylovely)

 998
17 Apr 14 at 1 pm

mazzystardust:

Possibly Maybe (1995)

(via sexiestkush)

 2648
17 Apr 14 at 11 am

juliabe:

Miranda (via Juliabe)

(via sexiestkush)

juliabe:

Miranda (via Juliabe)